The Last Lear: Review review
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Bikas Mishra reviews Rituparno Ghosh's The Last Lear
Rituparno Ghosh's The Last Lear opens little misleadingly. First of all, one needs some time to come to terms with English speaking Bengali characters in a traditional Calcutta milieu. Artificial! was my first reaction, "literal translation" said the gentleman sitting next to me.
However, without paying heed to our impromptu remarks the director gets down to business and introduces the characters--Gautam (Jishu Sengupta) a shallow (who hasn't read Shakespeare) Journalist, who will take us through the story of Harish Mishra (Amitabh Bachchan) an aging stage actor who lives and breathes Shakespeare, Shabnam (Preity Zinta), a successful actress tormented by her suspicious husband. Vandana (Shefali Shah) the woman who shares her life with Harish, Ivy (Divya Dutta) a night nurse with a distrustful boyfriend and Siddhartha (Arjun Rampal), a film director, who always wants things his way and doesn't spare a thing for it.
As we all knew the film is about Harish Mishra. It's the day when his first (and probably last) film is getting premiered. However, he is nowhere to be seen, gradually we learn that he has met an accident during the shooting of the film and is in coma. Story runs in flashbacks where we learn how the aging actor got drawn to cinema and got himself bedridden.
Most of the story is recalled in the living room of Harish Mishra, where Vandana, Shabnam and Ivy spend an unusual night together, a recurring situation for a Rituparno film. Shabnam is running away from her suspicious husband and the crowd that would gather for the premier of her film. She decides to pay a visit to Harish, whom she grew to admire during the course of the shoot. Ivy, the nurse, though wants to go back with her boyfriend after getting fed up with his suspicion but he never turns up. A unique camaraderie grows amongst them as they understand each other with compassion.
As a response to the hype around Big B's lifetime performance, I started watching his character unfold with cynicism, however, as the film progressed I was convinced that now onwards any mention of Amitabh Bachchan, the actor would be incomplete without mentioning "The Last Lear". It doesn't mean that he doesn't go over the board, however, the character that he plays here justifies it all. He's larger than life and the lines he recites are meant to be performed with vigour and energy that he packs enough into it.
The most memorable one is where Sidhartha and he plays a guessing game about a man on the street.
Their favourite pastime is observing the street and people passing by on a close circuit television, I'm not revealing the details here for obvious reasons.
Siddharth, the film director is a wonderful character, who is in a way a variation of Harry's character. A man who knows what he wants and lives in the world that he has created around himself. If Harry can sacrifice everything for the bard and his lines, Siddharth can go to any extent for his film. Rituparno deals with their relationship with subtlety. Arjun Rampal gives out a power-packed yet restrained performance as the director. A role that he will be remembered for.
Overall, The Last Lear is one of the not-to-be-missed films of the year. After his relatively ineffective foray into mainstream cinema with "Raincoat", Rituparna succeeds to tell a story in the conversational style that he is a master of. A film that I will remember for the multidimensional characters and their stories replete with dilemmas of our age, brilliant performances and memorable moments. A must watch.
[rating:3.5]
[youtube]http://www.youtube.com/watch?v=K-1YhB9-QA0[/youtube]





Comments( 15 )
Hi Bikas, Nice Review ! Now that
Hi Bikas,
Nice Review ! Now that you have mentioned that the film is a Not-to-be-missed one (as we all always expected), the curiosity about the film increases. Rituparno is back !
Yes, The Last Lear exceeded my
Yes, The Last Lear exceeded my expectations. I will even agree with the inetrnational critics who term this as Big B's performance of a lifetime. The film has many individual, power moments. My two favourites are when Harry urges Shabnam to shout at the hills to vent her anxiety, and when he recites Shakespeare to the director Sid. Rituparna Ghosh subty changes the lighting in that scene to something darker and bluish giving Harry's well-stacked room a unique theatrical effect. This and many other scenes are not just good, they are memorable.About the film as a whole, I still have my reservations though. As Bikas said the setting was artificial, but there was another, more glaring weakness. Harry's reason for giving up theatre years ago by not performing The Last Lear. The reason given at the end is childish, downright unconvincing. Are we actually supposed to believe it??
Hey Bikas, I look forward to watching
Hey Bikas,
I look forward to watching this movie :-) I was a little hesitant as i feared Amitabh bachan will go overboard like he did in Black. But you are probably right. His role in The Last Lear might justify a little bit of overacting :lol:
Aniruddha, I don't think director
Aniruddha, I don't think director intended to get into the details of the past that Harry shielded form everybody. He didn't even share that with Vandana and she heard it from someone else....so the reason she's aware of (that we get to know) could be wrong....because Harry only knows the reason and he doesn't discuss that...
Yes Pranjal, Rituparno is really back after a dismal "Raincoat".
Payal, he doesn't "overact" he's a larger than life actor, so is used to overemphasizing emotions....i guess I mean the same thing. :wink:
cheers!
Bikash, It was a nice review. I am
Bikash,
It was a nice review. I am looking forward to watching this movie very soon. I will definitely keep a watch on anything you write. Best wishes!
Thank you sir, it's really heartwarming
Thank you sir, it's really heartwarming to see your comment. I'll be curious to know what you think of the film..so please do write once you've seen it.
Thanks and regards,
Bikas
Hey Bikas, Quite surprised that you
Hey Bikas,
Quite surprised that you found the movie A Must Watch... we could it last night and were quite disappointed. One, I would suppose, doesn't watch a Rituparno movie for "brilliant moments", but for a lucid and consistent narrative and thoughtful editing. Pitching Amitabh as a actor, more so a theatre actor, I thought was clever as that could always be used to cover-up his over-the-top histrionics... but that isn't exactly my problem. Some loopholes have been highlighted by fellow commentators above, among others, I'm yet to fathom why we even needed to have the sub-plot about tormented women bonding over abusive partners. Especially when the director took so long to even establish the characters. Shabnam, for once, demanded a better drawn sketch. Dialogues, in a vernacular language and English can be unobtrusive, as we have seen in Monsoon Wedding. But for that the English language used needs to be of conversational in nature. There are moments of brilliance though, looking beyond the most obvious Harry urging Shabnam to yell out her frustrations. For one, I loved Amitabh where he plays a drunken old actor who cribs and cries like a child to have his way and enact the climax scene; very different than how he’s played a drunkard in other films. But may be a separate post on that later.
Was it the Mona Lisa Complex that prompted me to be so disappointed with the movie? I know not. But I’ve followed Ghosh more or less consistently, and been quite impressed with his earlier movies like Unishe April, Asukh or even Titli. Simple stories, told simply, that Rituparno needs to revisit. That, Bikas, I completely agree with you on.
Dear Bikas, Because you have written
Dear Bikas,
Because you have written the review with so much conviction I like it. But for the film, well I have my reservations. Looked to me very half-baked.
Hey Bikas, Its a disappointing film
Hey Bikas, Its a disappointing film according to me. It is not worth the hype it created. It was said that its the best performance of Amitabh. This film once again proves that Bachchan has an awesome screen presence and he is a great actor.But was there any need to prove that? we all know that. This was special because of Rituparno-Bachchan combo, and rituparno has again repeated his style of narration. Same situations and the same reactions of the characters. He is too over-rated yaar. Commercially this is going to be a disaster even in Multiplexes for which it is made. Someone has to be exceptionally talented to make a box-ofice disaster with Amitabh Bachchan... Ritu da please stick to small films...
Big B rocks anyone who thinks that one
Big B rocks anyone who thinks that one person cannot act and be star havent seen AB in last lear.
Hi Deep, Smriti, I agree that "The
Hi Deep, Smriti,
I agree that "The Last Lear" is a flawed film and it doesn't flow as lucid as his previous films do (barring "raincoat").
However, even in his relatively weaker film Rituparno pays so much of attention to details, characterization and refrains from overemphasizing emotions. Something that I craved for in some of recent Bollywood new generation brilliant films.
For example--look at the character of Siddhartha, the director---
First we see him at the premier of his film and we find him adjusting the projector, we know this man is a perfectionist...
Then he goes to meet Harry and rings the bell, we know he pays attention to details and is well read...
He wins hearts......and makes Harry open the windows...he can achieve things..
But the deterrents are the pissing passers by......Sid has a tool....a camera to scare them off...
Now, he gets a CCTV installed...
He plays trust game with Harry....makes him take off his glasses and run the risk of falling down on the staircase.
Then, he makes Harry fall on the hill...
He does feel guilty about his act....
But what does he do? Remains silent..
And he picks up fight with people pissing on some random wall...
A convincing and beautiful progression of a character.....
I don't know, what problem you have with tormented women?
Are they a hindrance or they take the story forward...I think they do...
And why do they talk about their sufferings.....we know them better, we sympathies with them.
Had they not talked about themselves....they would have been simple plot tools...a means to narrate the storyline, mechanical...but since they talk, we know they're real, human characters, who are women...a part of our society...and they suffer (their sufferings weren't unconvincing, it's probable...)
Same applies to the poor narrator....since he's an ignorant journalist, a poor chap, his narration mirrors his character...
You see all these people have a character of their own. They're not simple cardboard cutouts or stereotypical characters that we don't need to know anything about...
I know, any discussion can't make one like a him that he / she didn't find interesting but it would be unfair to write off this film entirely. It does have merits..
I could be flawed a whole....but it's definitely rich in cinema...
Maybe it didn't work with you, but it did sustain my interest and believe me I've seen Rituparno's earlier work.
Since he's Rituparna Ghosh, he can attempt...why do you want him to keep making the same kind of films he does......let him expand...and understand....experimenting always involves risk of faltering...
cheers!
I'm totally agree with you vikas...this
I'm totally agree with you vikas...this movie takes Indian film writing to the next level...a very beautiful nonlinear script...and the transition from one to other scene is so perfect...shefali shah is my favorite in the movie and amitabh proved why is he best...
:) that's a very passionate reply
:) that's a very passionate reply indeed. I agree with almost all your arguments and yet...and yet my friend I find it difficult to interpret the open ending, was he trying to be Satyajit Ray? What did the open ending mean, did it mean anything at all. Even the shadow puppetry when Sid discusses the plot of the movie with Harry was so reminiscent of Satyjit!
Apart from Sid's character whose character sketch could he justifiably sketch? And what was that Thank You Kolkata at the end about?
Its all very good for Rituporno to be trying something new but given how hesitant he looks, one would hope that he was himself as confident of his abilities as you are.
Hi Bikas! I watched this movie last
Hi Bikas! I watched this movie last night and I thoroughly enjoyed it - previously I had read your review and also enjyed it . Having studied William Shakespeare and some of his works at college and also having had the opportunity to play the role of Marc Anthony in Shakespeare's "Julius Caesar" at college, I found it very interesting to watch Amitabh play the role that he did and also felt that he has taken Bollywood acting to another level. I would agree with you that this is a "Must watch film." I am now adding a topic on this in the "Bollywood" forum for discussion.
I might be one of the few here that
I might be one of the few here that loved Raincoat. This was also great and Bachchan's praises are well deserved in this film. It's a study of characters and motivations, no cookie-cutter characters here.