A Wednesday: Watch It! review
Yasser Usman reviews Neeraj pandey's A Wednesday
This week is one of the very rare weeks in Hindi cinema for the simple reason that two wonderful films have been released which do not boast of the so-called 'Stars'. Both the films are being applauded for their content. Thankfully the content is not an item song but infact gripping storylines. 'Tahaan' and 'A Wednesday' competing with each other at the box office is definitely a good sign for Indian cinema.
'A Wednesday' is the story of a fateful Wednesday in the hours between 2 and 6 pm. A "common man" (Naseeruddin Shah) calls up the Commissioner Of Police, Mumbai ( Anupam Kher) and tells him that he has planted bombs in five places around Mumbai, set to go off at 6:30 p.m. If the cops want to find the bombs and diffuse them, they will have to agree to the caller's demand. The demand being that four dreaded militants, lodged in different jails should be set free and should be taken to a specified place. Telling the story beyond this point will take the joy out of this well directed thriller. The film ends with a very interesting twist.
One man makes all the difference- Naseeruddin Shah. It's not an extraordinary role but Shah with his brilliance takes it to another level. So strong is his portrayal of the angry common man that you almost empathize with his justification, his angst. You forget that he is just an actor mouthing lines given to him by the dialogue writer. Naseer becomes the character. That intensity in voice, that anger in eyes, those frail expressions of a middle-class existence in Mumbai are so apparent in Naseer's interpretation that you want to see more of him. And if the claps of audience in the theaters are anything to go by, the country's finest actor hits you really hard during his outburst in the climax of 'A Wednesday.'
Matching Naseer line by line, scene by scene is Anupam Kher. This is a memorable week for Kher as two of his finer films released this Friday (Tahaan and A Wednesday). In both the films he plays diametrically different roles but just look at his range. These films are a wakeup call for the filmmakers of Bollywood who criminally waste Kher in nonsensical roles. The confrontation scenes between Kher and Naseer (over phone, they just meet once in the climax) in 'A Wednesday' are a treat. Complete "paisa-wasool" ;-)
Other actors have also performed well- Jimi Shergill and Aamir Bashir are good. Deepal Shaw had nothing important to do.
'A Wednesday' is a very brave film and debutant director Neeraj Pandey should be applauded for the effort. It's not an offbeat film but a completely commercial film with a message...and to make a "commercial" film with Naseeruddin Shah and Anupam Kher and without any song-dance routine is not an easy job. However, the film has major flaws at the script level. It never justifies how a common man get hold of the finest gadgets that even the entire Mumbai police and intelligence agencies look completely naïve. But the screenplay and the editing cover up for the flaws. You are just glued to the seat watching twist after twist for 100 minutes ( yes..and it is promoted as '100 minutes of thrill- no songs, no dances, no sub plots).
Fuwad Khan's cinematography is excellent for the simple reason that in Naseer's role, there was no action happening but the camera was in action throughout and that too brilliantly. The background music is not outstanding but supports the mood of the film.
This is undoubtedly a good week for Hindi cinema. 'A Wednesday' may not be a potential blockbuster but times are changing for sure. Watch it for the outstanding performances of Naseeruddin Shah and Anupam Kher. I assure you will not be disappointed.
[rating:3.5]
Watch A Wednesday trailer:
[youtube]http://www.youtube.com/watch?v=hI3E1jneWvg[/youtube]





Comments( 6 )
Saw the film. Its gripping! Bollywood
Saw the film. Its gripping! Bollywood is getting down to business for sure. As you rightly pointed out it had some minor logical loopholes. Also the absence of the media at large except UTV for such a sensational event was baffling! I mean was Aajtak, NDTV etc sleeping all day when UTV was breaking the news? :shock: Despite these flaws A Wednesday thrills and makes you think. The twist at the end was unexpected. And Naseruddin Shah's final monologue on the "stupid common man" was a knockout. Its a brilliant performance.
And yes, I forgot to mention. Its also
And yes, I forgot to mention. Its also vastly superior to the silly and highly overrated Aamir, which also deals with the "the common man" and terrorism. :grin:
Finally saw the film....a gripping 100
Finally saw the film....a gripping 100 minutes of pure thrill....Another powerhouse performance by none other than Naseeruddin Shah. It was so engaging that when he speaks out his angst against the whole system, the lines genuinely looks and sounds like his own, as if no Dialogue writer exists here. We could relate and empathise with his justification. As I heard it from the grapevine, Anupam Kher re-shot most of his sequences after watching the rush prints of Naseer's performance. Kher was good too...but just could not match the brilliance of Nasserudding Shah.
Absolutely thrilling. I enjoyed this
Absolutely thrilling. I enjoyed this movie and every minute of it.
Don't we all, at some time or another feel like doing something about helping in fight against terrorism?
Yasser, I have put up discussion on this in the "Bollywood" section of the forum. I hope you don't mind.
Thanks for putting up the discussion
Thanks for putting up the discussion Pratik...Wednesday is a very good film because one it fulfils its basic Aim- ENTERTAINMENT and secondly it hits u somewhere and make u think... Bravo Neeraj Pandey and Naseer Saab!!!
Overall it seems like the end is
Overall it seems like the end is thought first and the story is written backwards and we only wait to know the end... well its not OK and
with themes of such sensitiveness I think it seems that people try to find easy solutions that are non-pragmatic, unconvincing, of false beliefs through film medium and then call it good intelligent cinema... I feel humiliated...
Please refrain of doing such things because these films are seen by thousands of people if manipulated in such form (we call it a hit then)... seems like even serious filmmakers are also taking advantage of the situation, sub-consciously may be... but I dont think its acceptable... these films are bound to be discussed whether for wrong reasons or right...
I think I would rather consider films like No Entry, Cash, Golmaal, Money Hai Toh Honey Hai, yash raj, karan johar types... I know as an audience there is no substance in those films, there is no logic, they are absurd, lot of here and there... but I would not accept any kind of manipulation of the reality and with the sensibility of the topic in themes like this... I wonder why nobody (crew, actors etc) involved in the process of film making raises the questions that are supposed to be raised ... may be certain limitations in the creative process or in the voice...